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Following 150 years of fashion, Christopher Breward offers a catholic view of this colorful and flamboyant universe, describing its trends, products, and inhabitants. From Haute Couture, High Street, and developing fabric technology to such stars of fashion as Coco Chanel, and Giorgio Armani, Breward explores territories far beyond style and function. He sees more than just an industry, giving voice to the larger cultural phenomenon fashion has become. Breward's discerning view captures the glamorous world of Vogue and advertising; the relationship between fashion and film, and fashion as a business; and it goes beyond the surface to consider individual interaction with fashion. How have ideas about hygiene and comfort influenced the direction of style? How does dress create identity and status? Framing details of dandies, flappers, and punks within a clear overview of their respective periods, Breward takes a second look and casts everyday wear in a much different light. In addition to glitz and glamour, the book has suggestions for further reading, a timeline of important events in fashion, and a list of relevant museums and galleries.

A companion volume to John Peacock's 20th Century Fashion and Men's Fashion, Fashion Accessories is the most comprehensive record ever published of fashion accessories throughout the twentieth century. More than 2000 full-color drawings -- the result of extensive research into paintings, photographs, and the accessories themselves -- reproduce each original item in meticulous detail, accompanied by a complete description. The book covers every kind of high-fashion male and female accessory for both day and evening wear: hats and caps; shoes, boots, slippers, and sandals; bags and purses; umbrellas and parasols; jewelry; scarves, stoles, and capes; gloves and belts; cravats, ties, and bow-ties. It includes a wide range of streetwear and sportswear, from baseball caps to plastic sandals, and every variety of the ubiquitous late-century sports shoe. All the century's archetypal accessories are identified, from the luxurious ostrich-feather and flower-bedecked hat of the 1910s and the cloche and pearl necklace of the 1920s, to the velvet scarf and mini-backpack of the 1990s. A final reference section contains a comprehensive bibliography and a chart that shows at a glance how accessories have evolved since 1900. There are biographies of the century's most influential accessories designers, from Salvatore Ferragamo and Manolo Blahnik to Patrick Cox and Georgina von Etzdorf, plus short histories of companies and firms that have played an important role in accessory design. For fashion enthusiasts, historians, and collectors, as well as designers working in the performing arts, this book will be the definitive reference work on twentieth-century accessories.

Chelsea Boot - The Chelsea boot is a tight fitting, heeled, ankle-high boot that peaked fashion consciousness in the early 1960's. It's popularity is often attributed in part to The Beatles, who primarily wore Chelsea style boots with Cuban-heels.

Riding boot - Riding boots are boots made to be used for horseback riding. Modern riding boots are usually knee-high and made of leather, much like the fashion Go-Go boots of later years.

Cowboy boot - Cowboy boots are boots worn by cowboys. They have a high heel, rounded to pointed toe, high shaft, and no lacing.

Chanel - The House of Chanel, more commonly known as Chanel, is a Parisian fashion house in France. According to Forbes, the privately held House of Chanel is jointly owned by Alain Wertheimer and Gerard Wertheimer who are the grandsons of Chanel founder Pierre Wertheimer.

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